It's a typical morning at Scranton's third largest paper company until, for no logical reason, a documentary crew begins filming the lives of the employees of Dunder Mifflin… Don't miss this hilarious, unauthorized parody of the hit TV show, "The Office" now playing at The Jerry Orbach Theater in New York City.
Caleigh Lozito, Nathan David Smith, Ben S. Daniel, Hanna Shykind, Logan Graye, Miranda Luze, Rita Posillico, Alex Schecter, Christian Fary, Excelsa de Jesus, Hannah Spaulding
GALLIM returns to The Joyce with a dynamic bill celebrating a 15-year prolific period of Artistic Director and Founder, Andrea Miller’s expansive, boundary-blurring, interdisciplinary work. Music pulsates throughout the program with newest works, FROM and Sama, to the intoxicating tracks of Nicolas Jaar and Duets for Jim to the hallowed songs of music legend, Sade. Miller’s much anticipated World Premiere for the "King of Krump," Brian "HallowDreamz" Henry, marks a new collaboration between two mavericks of movement invention. New works and long time favorites all share Miller and GALLIM’s embodiment of the elemental and sensual appearing in the glow and shadows of live performance and its alchemy. Additional guest artists and creatives to be announced.
In The Sacrifice, South African choreographer Dada Masilo embodies the rituals of Tswana dance in a work inspired by composer Igor Stravinsky’s “Rite of Spring.” Masilo expands upon the concept of sacrifice, building a unique narrative by fusing ballet with modern and traditional dance to reimagine classic tales. The traditional dance of Botswana, Tswana dance is both rhythmic and expressive, rooted in storytelling and healing practices—a fertile base on which Masilo expertly melds disparate styles.
Following its triumphant debut at The Joyce last season, New York's Gibney Company returns with a powerful program featuring two world premieres and Johan Inger's Bliss, an ode to the joy of dancing. Co-artistic directors of Vancouver's Out Innerspace Dance Theatre, Tiffany Tregarthen & David Raymond make their U.S. debut with a new work commissioned for Gibney Company. Featuring rigorous, hyper-detailed movement, the work will meld dance and design into an inseparable and ambitious interdisciplinary collaboration. Acclaimed choreographer Yue Yin combines Chinese classical and folk dance, ballet, and contemporary dance movement into a completely unique creation. Her new work for Gibney Company features an original score of live music and recorded sound by Ryan Lott of the band Son Lux. Rounding out the program, Johan Inger's Bliss was inspired by jazz pianist Keith Jarrett's legendary Köln Concert who is considered the epitome of virtuoso improvisation. Inger translates the essence of Jarrett's iconic music into dance that truly is a state of bliss.
The Nrityagram Dance Ensemble in collaboration with the Chitrasena Dance Company presents the New York City premiere of Āhuti, a thrilling combination of classical Odissi dance from India and traditional Kandyan dance from Sri Lanka. Meaning “offering,” Āhuti bridges the gap between distinct dance traditions of these South Asian cultures, in the second cross-cultural collaboration between these two acclaimed companies.
Bessie Award winner Ayodele Casel is a longtime City Center collaborator and one of the world’s great tap talents, beloved for her musicality, strength, and fluid, generous style. As the second featured artist-curator in our Artists at the Center series, Casel invites an all-star roster of choreographic and performing talent to join her on the City Center stage in an evening that features six World Premiere City Center Commissions. Casel expands her sublime 2021 Fall for Dance commission Where We Dwell—featuring live original music by Crystal Monee Hall—to further explore her and her collaborators’ personal, cultural, and musical approaches to the quintessentially American tap form. “The work transforms the stage into a kaleidoscope of vibrant dancing bodies” —The New York Times
Dance Theatre of Harlem returns to New York City Center, April 19th-23rd! The Company’s extraordinary dancers shine in two New York premieres: William Forsythe’s Blake Works IV, the latest installment of the choreographer’s continuously evolving work The Barre Project; and a new ballet by Tiffany Rea-Fisher set to an original score created by New York-based DJ and composer Erica Blunt (aka Twelve45) and inspired by the trailblazing Hazel Scott, the classical and jazz musician and civil rights activist. A program of works featuring Resident Choreographer Robert Garland‘s latest hit, Higher Ground—named one the best performances of 2022 by The New York Times—as well as Artistic Director Virginia Johnson’s favorite George Balanchine ballet—the joyous Allegro Brillante—will also be presented. Join us for the audacious vision for classical ballet that is Dance Theatre of Harlem. Special events include pre-show DJ and dancing on the Grand Tier, Divine Nine/HBCU Night and a post-performance talkback with soon-to-be Artistic Director Emerita Virginia Johnson (Friday), and a celebration of the 10th anniversary of the relaunched Company and Virginia Johnson’s final season as Artistic Director (Sunday).
The acclaimed Mark Morris Dance Group (MMDG) makes its Joyce debut with a program celebrating the extensive repertoire of its Artistic Director Mark Morris. Founded in New York City in 1980, the company has received “highest praise for their technical aplomb, their musicality, and their sheer human authenticity” (Bloomberg News). Live music from the MMDG Music Ensemble accompanies works from across the decades that feature Morris’ distinctive wit and devotion to music. Experience a world premiere work by Morris, audience favorites, and rarely seen pieces from the company’s repertory.
GALLIM returns to The Joyce with a dynamic bill celebrating a 15-year prolific period of Artistic Director and Founder, Andrea Miller’s expansive, boundary-blurring, interdisciplinary work. Music pulsates throughout the program with newest works, FROM and Sama, to the intoxicating tracks of Nicolas Jaar and Duets for Jim to the hallowed songs of music legend, Sade. Miller’s much anticipated World Premiere for the "King of Krump," Brian "HallowDreamz" Henry, marks a new collaboration between two mavericks of movement invention. New works and long time favorites all share Miller and GALLIM’s embodiment of the elemental and sensual appearing in the glow and shadows of live performance and its alchemy. Additional guest artists and creatives to be announced.
In The Sacrifice, South African choreographer Dada Masilo embodies the rituals of Tswana dance in a work inspired by composer Igor Stravinsky’s “Rite of Spring.” Masilo expands upon the concept of sacrifice, building a unique narrative by fusing ballet with modern and traditional dance to reimagine classic tales. The traditional dance of Botswana, Tswana dance is both rhythmic and expressive, rooted in storytelling and healing practices—a fertile base on which Masilo expertly melds disparate styles.
An award-winning new indie-rock musical, presented by Prospect Theater Company. Lizard Boy tells the story of Trevor—a young man with green scaly skin—whose first date spirals into a mythic and transformative journey as he confronts villains, monsters, and himself. Will the night conclude with a kiss… or the end of the world? Following a successful run at the 2022 Edinburgh Fringe Festival, Prospect’s NYC Premiere production will feature the acclaimed original actor-musician cast, including show author and the composer of Marvel’s Squirrel Girl podcast, Justin Huertas, joined onstage by collaborators Kiki deLohr and William A. Williams. The production is helmed by original director Brandon Ivie. Lizard Boy is the winner of six 2021 San Francisco Bay Area Theatre Critics Circle Awards, including Best Entire Production, Best Stage Direction, and Best Ensemble. The original cast recording, which is available online, has been streamed over three million times on Spotify. Photo credit, L to R: William A. Williams, Justin Huertas, and Kiki deLohr. Photo by Kevin Berne.
“Leaves you a bit happier to be alive! The songs have a tuneful brassiness and giddy rhythmic snap and the clever but soulful lyrics are always deeply felt.” – USA Today The Goodbye Girl follows the unlikely romance between Paula, a single mother who has been jilted one too many times, and Eliot, the opinionated actor who shows up – unexpectedly – on her doorstep with a lease to sublet her apartment. Songs include “A Beat Behind,” “Eliot Garfield Grant,” and “I Think I Can Play This Part.” Royalty: The Goodbye Girl is presented through special arrangement with Concord Theatricals www.concordtheatricals.com Our unique and popular lagniappe program is expanding this season, to include a lagniappe after every performance except opening night and closing. Lagniappe Schedule May 12th- Talkback with Cast May 13th- Matinee- Broadway-1993: A talk on the 1993 Broadway season. Hosted by author Peter Filichia. May 13th- Evening- Talkback with Creative Team May 14th – An Analog Google: History, Stories and Fun Facts about The Goodbye Girl presented by Jim Jimirro, J2 Spotlight Co-founder May 18th – Looking back on the Original Broadway production of The Goodbye Girl with original cast and creatives May 19th – Talkback with Cast May 20th – Matinee- Take Two Series: An exploration of the film The Goodbye Girl (1977) May 20th- Evening- Talkback with Creative Team *Subject to change
Don’t Mess With God . . . He’ll Wash Your Feet: Journey with a group of fraternity brothers reuniting to pay tribute to one of their own. Their celebration is interrupted as they meet Jesus & the men of antiquities times, and their lives are changed forever. A toe tapping, hand clapping, shouting gospel musical!