Julie Adams sings Mimí in San Francisco Opera’s La Bohéme

La Bohéme has always been on of my favorite operas because I’m in LOVE with the Broadway production Rent! Did you know that Rent was based on Giacomo Puccini’s opera?? Yes, there are a few differences (okay, maybe a lot) but Jonathan Larson created Rent because he wanted to update the setting and story of a classic opera to modern day times, which I can definitely get behind. Both stories focus on the difficulties of living in poverty and the dangers of a life lived away from conventional standards. Another major similarity is the famous scene when Mimí knocks on the door of her neighbor and asks him to light her candle. Such a great moment!

Earlier this year I went backstage to get a hair and makeup tutorial on how to look like Mimí. And recently I got to sit down with Julie Adams who is performing Mimí in San Francisco Opera’s production of La Boheme this summer! Julie has such a beautiful spirit and her voice is plush with expression and rich with passion. It’s like she was made for this role! Check some clips of of our interview here:

5 Fun Facts about Soprano, Julie Adams

1. When did you start singing opera?

I started when I was 18 years old but I grew up singing pop and musical theater because I originally wanted to be a Broadway singer. It wasn’t until later in high school that I discovered classical music was the perfect fit for my voice. After that, I never looked back!

2. What is your favorite thing to do when you aren’t singing opera?

I love trying new restaurants around San Francisco with my friends. There are so many great hidden gems here and the food is fantastic!

3. Have you ever messed up on stage and how did you recover?

Yes! There was a pretty hard scene in The Makropulos Case (the music is in Czech!) where I need the prompter to help me with some cues but when I looked down for him, he was gone! The music went by and I had forgotten my line. Luckily my counterpart kept going. My adrenaline kicked in and I was able to catch back up! It’s in these moments where you really just have to lock eyes with the conductor and they will help you get back on the right track.

4. What piece of advice would you give yourself 10 years ago?

Trust in yourself. When you trust in yourself and be true to who you are, you can do anything you put your mind to.

5. What are you working on after your performances as Mimí?

This fall I’m going to perform in the Marriage of Figaro as the Countess with the Michigan Opera Theatre! I’m very excited because it’s my first time to sing this role.

To see Julie Adams perform as Mimí in the San Francisco Opera’s production of La Boheme on June 20 & 25, 2017, click here.

To find out more about Julie Adams, click here.

To see more behind the scenes stories from Red Curtain Addict, click here!

5 Reasons Why SF Opera Lab Should be on Your Bucket List this Spring

Last year, the San Francisco Opera started a new series called SF Opera Lab. Why is it called “Lab”? Because the Taube Atrium Theater (in the Veterans building) was created to experiment and make new music in unique and innovative ways. If you went last year, you probably fell in love with its intimate setting, outstanding acoustics, new operatic works and cup holders for your favorite glass of wine or cocktail! This casual environment makes it fun for a newcomer and fresh for a regular opera-goer.

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Recently I had the opportunity to take an exclusive tour of the venue with Sean Waugh, the Artistic Planning Manager who helps oversee this exciting new series. During our walk-through, I discovered hidden gems around the venue and got the inside scoop on the second season of concerts. Scroll below to see five reasons why you should put this unique experience on your Bucket List this spring.

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1) The SF Opera Lab Stage is ever-changing. This theater is truly unique because the audience is placed in different configurations that are built around each experiential performance. One night there will be risers that will look down on the stage and the next there will be chairs (and even tables!) around a circular stage that’s placed in the middle of the room. No experience is the same!

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2) This theater has historical landmarks at every turn. In 1935, SFMoma began its legacy in this great space where they housed the first west coast collection that was solely made up of modern and contemporary art. This room use to be SFMoma’s Sculpture Garden and if you look around the rim of the theater, you’ll see the original engravings of artists’ names in every corner. There are also other historical landmarks that are found around the building. Like the murals on the second floor that were brought from the Panama-Pacific International Exposition of 1915.

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3) The four gray walls of the theater turn into vibrant projection screens. One of my favorite concerts last year was watching the Academy Award-nominated film, Les Triplets de Belleville. The music was stripped away and a live ensemble (with singers!) performed along to the animations that were projected in front of us. These visual highlights bring movement to every piece and the audience is taken on a musical journey through color and an array of settings.

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4) An archives gallery surrounds the theater. On the outside walls of the venue there is a photo gallery of San Francisco Opera’s most memorable moments. My favorite is a snapshot of their first performance that dates back to 1923. In October I had the honor of touring this gallery with Christopher Verdosci who worked with the company for fifteen years as their Assistant Costume Director. Click here to see more!

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5) This experience even pops up outside of the theater and around the city! The SF Opera Lab Pop-Ups happen in places (AKA: bars and clubs) where you would never expect to see opera. Last year they held performances at Public Works SF, The Chapel, and even Oasis! From incredible arias to duets and love songs, these casually dressed performers sang passionately with one hand while holding a cocktail in the other. Click here to read more.

The SF Opera Lab series is made up of 4 different concerts and will run from February 24 – April 27th. Personally, I’m excited for the ChamberWorks Concert that will feature the musicians of the San Francisco Opera Orchestra and The Source that is supposed to be very interactive and set in a unique arrangement for the audience.

Other Fun Facts:

  • Ticket prices start at $25!
  • The incredible Meyer Sound Constellation is run by a simple iPad
  • The first concert of the season, The Source is about Wikileaks and what Channing Manning exposed in 2010
  • There are 299 seats in the standard set-up, making every seat a GOOD seat
  • The next SF Opera Lab Pop-Up will be announced very soon…
  • The Taube Atrium Theater is located on the fourth floor of the Veteran’s Building
  • Roomful of Teeth is a West Coast premiere of four new works based on Shakespeare

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I hope to see you at one of the concerts! Make sure to follow my adventures on Instagram and like my blog to receive updates about new posts.

The Glass Door of Opera

When I tell friends or co-workers that I’m going to the opera, the typical response is, “….”. Dead silence. But once I tell them about the custom designed costumes, the set that was flown in from overseas and the champagne that is waiting for me at intermission, their reaction turns from silence to interest.

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There’s a HUGE misconception about opera but what the real “miss” is not even giving it a chance. A few weeks ago I attended Les Troyans, an opera that was first opened in Paris in 1856. The last time it was performed in San Francisco was over 47 years ago because of the size of the production and the magnificent amount of cast that is involved.

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Within the first act, I was blown away by this incredible 23 foot tall trojan horse head that took over a year to make that was welded with old weapons, battle debris and bits of war junk. It moved about stage nodding and turning, then it’s mane ignited, projecting heat and amazement throughout the theater. It was like nothing I had ever seen.

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The set was beyond exquisite with layers of singers throwing confetti and there was a beautiful woman portraying Dido with a voice of angel. Now this is something you won’t experience when you’re sitting at home and mindlessly scroll through your social media.

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Don’t wait for an invitation to give this a try. Make it your own special occasion or go round up your friends to experience the art that has memorized millions for centuries. Get dressed up, even make it a date night! I promise that this is an experience you’ll always remember. Make a change and do something different.